Sleepwalking Next To Death - Adrienne Rich
Sleep horns of a snail
protruding, retracting
What we choose to know
or not know
all these years
sleepwalking
next to death
protruding, retracting
What we choose to know
or not know
all these years
sleepwalking
next to death
I
This snail could have been eaten
This snail could have been crushed
This snail could have dreamed it was a painter or a poet
This snail could have driven fast at night
putting up graffiti with a spray-gun:
This snail could have ridden
in the back of the pick-up, handling guns
II
Knows, chooses not to know
It has always
been about death and chances
The Dutch artist wrote and painted
one or more strange and usable things
For I mean to meet you
in any land in any language
This is my promise:
I will be there
if you are there
III
In between this and that there are different places
of waiting, airports mostly where the air
is hungover, visibility low boarding passes not guaranteed
If you wrote me, I sat next to Naomi
I would read that, someone who felt like Ruth
I would begin reading you like a dream
That's how extreme it feels
that's what I have to do
IV
Every stone around your neck you know the reason for
at this time in your life Relentlessly
you tell me their names and furiously I
forget their names Forgetting the names of the stones
you love, you lover of stones
what is it I do?
V
What is it I do? I refuse to take your place
in the world I refuse to make myself
your courier I refuse so much
I might ask, what is it I do?
I will not be the dreamer for whom
you are the only dream
I will not be your channel
I will wrestle you to the end
for our difference (as you have wrestled me)
I will change your name and confuse
the Angel
VI
I am stupid with you and practical with you
I remind you to take a poultice forget a quarrel
I am a snail in the back of the pick-up handling you
vitamins you hate to take
VII
Calmly you look over my shoulder at this page and say
It's all about you None of this
tells my story
VIII
Yesterday noon I stood by a river
and many waited to cross over
from the Juarez barrio
to El Paso del Norte
First day of spring a strand of trees
in Mexico were the palegreen leaf
a man casting a net
into the Rio Grande
and women, in pairs, strolling
across the border
as if taking a simple walk
Many thousands go
I stood by the river and thought of you
young in Mexico in a time of hope
IX
The practical nurse is the only nurse
with her plastic valise of poultices and salves
her hands of glove leather and ebony
her ledgers of pain
The practical nurse goes down to the river
in her runover shoes and her dollar necklace
eating a burrito in hand
it will be a long day
a long labor
the midwife will be glad to see her
it will be a long night someone bleeding
from a botched abortion a beating Will you let her touch you
now?
Will you tell her you're fine?
X
I'm afraid of the border patrol
Not those men
of La Migra who could have run us
into the irrigation canal with their van
I'm afraid
of the patrollers
the sleepwaker in me
the loner in you
XI
I want five hours with you
in a train running south
maybe ten hours
In a Greyhound bound for the border
the two seats side-by-side that become a home
an island of light in the continental dark
the time that takes the place of a lifetime
I promise I won't fall asleep when the lights go down
I will not be lulled
Promise you won't jump the train
vanish into the bus depot at three a.m.
that you won't defect
that we'll travel
like two snails
our four horns erect.
[From:
Rich, A. (1989) Time's power: poems 1985-1988. New York: Norton. p17 - p21 ]
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